Search

Brutally Honest Oscar Ballot: '1917' "Gimmicky," Renee Zellweger "Nailed It" - Hollywood Reporter

Andrew Cooper/Sony Pictures

My favorite film of the year didn't even get a nomination — I'm embarrassed to admit it because a lot of people hated it, but it was Yesterday. That movie made me feel fucking great. Two movies that I really hated were Ford v Ferrari and Little Women. The director [of Ford, James Mangold] knows nothing about racing, and admitted as much at the Q&A after it screened at the Academy — you don't have someone putting on their goggles once they're already driving or staring longingly at the guy in the next car as he passes him! [The 1966 film] Grand Prix had class and style and knew what it was about. With Little Women, the timeline was ridiculous — I was really confused sometimes, and I know I'm not the only one. Thank God she [star Saoirse Ronan] cut her hair, because that at least gave me a bit of a reference point. As for Marriage Story, I needed to care for the kid, and I didn't. And I know that those two actors [Adam Driver and Scarlett Johansson] poured their souls into those roles, but it's getting harder and harder for me to care about entitled people's marital relationships. It wouldn't have been that hard to say, "I'll stay in New York, you go to LA and work for a while," stay married, hook-up when you can and be bicoastal. The rest of the nominees I really liked. The Irishman, as much as I loved it and its performances, is not [the 1995 film also directed by Martin Scorsese] Casino — after Hoffa was dead, the movie was done for me, my ass was sore and I wanted to get the fuck out of there. I love Parasite — super-smart, brilliant director [Bong Joon Ho], the movie looks great and the whole look into class struggle was terrific — but once the murdering started happening they lost me. Joker was excellent, but it's not a best picture. 1917 was great but gimmicky, and rang a little hollow for me in the same way that Dunkirk rang a little hollow for me. Once it got down to Jojo Rabbit and Once Upon a Time in Hollywood, it was hard for me. I wish I could have voted for them both. Once I realized it was okay to laugh at Jojo, it was great — so funny and so applicable to where we are today. But Once Upon a Time in Hollywood gave me real escape at a time when I wanted nothing more. I don't jump up and down for [Quentin] Tarantino movies — the last movie of his that I liked before this one was [the 1997 film] Jackie Brown — but this movie made me feel good. We all have our ups and downs in this business — I'm not at the high-point of my career right now, so I could identify very much with the characters, and Once Upon a Time in Hollywood gave me hope. And it leaves you thinking about what could have been in a better world: What would Sharon Tate's life have been if this hadn't happened? What would [Roman] Polanski's life have been?! It puts tears in my eyes when I think about it.

MY VOTE (1) Once Upon a Time in Hollywood; (2) Jojo Rabbit; (3) 1917; (4) Joker; (5) Parasite; (6) The Irishman; (7) Marriage Story; (8) Little Women; (9) Ford v Ferrari

Let's block ads! (Why?)



Entertainment - Latest - Google News
February 07, 2020 at 07:21AM
https://ift.tt/384g4sk

Brutally Honest Oscar Ballot: '1917' "Gimmicky," Renee Zellweger "Nailed It" - Hollywood Reporter
Entertainment - Latest - Google News
https://ift.tt/2RiDqlG

Bagikan Berita Ini

0 Response to "Brutally Honest Oscar Ballot: '1917' "Gimmicky," Renee Zellweger "Nailed It" - Hollywood Reporter"

Post a Comment

Powered by Blogger.